Worked for CAA, ICM, Mandalay Pictures, Overture Films, Benderspink, Twisted Pictures, Davis Entertainment
Worked for Nasser Entertainment (Executive), ScriptShark, Austin Film Festival
Worked for CAA, Rat Entertainment, Ocean Pictures, Lightstorm
Worked for Black List, PAGE Awards, Virtual Pitch Fest, Greenlight My Movie, FadeIn Pitch Fest
Worked for United Artists, Paramount, Cruise-Wagner, Phoenix Pictures
Worked for Gold Circle Films, Goldcrest Films, Global Media Television
In Hollywood, most submissions are first read by a company’s “Readers.” Their analysis is then turned into a “Coverage Report”, and is often the only thing the company ever reads. This initial phase of the submission process can make or break a submission. At ScriptArsenal, our team of screenplay readers and manuscript analysts will go a step beyond a standard coverage report and provide notes that will help you grow as a writer.
ScriptArsenal’s top-quality analysts set us apart from the competition. Our film-educated readers have actual industry experience.
Worked for Paradigm, FilmEngine, New Films International